6 Essentials For Camera Stylists

In the process of making a film required several components. Among them are scriptwriter, director, assistant director, art director, director of photography (DOP), lightingman, gaffer, cameraman, clepper, continuity.

A camera engineer is the person responsible for using camera hardware to record images from video tape, memory, hard drives, or other storage media at the direction of the director or event director.

There are many important things that camera stylists do, this article will only discuss 6 important things for camera stylists.

Here are 6 essentials for camera stylists:

1. A Short Guide to Choosing a Lens

a. Portrait Lens

The size of the focal length closest to the human eye. The most comfortable effect on the eyes.

• 50mm
• 85mm

b. General Lens

For general traveling needs, you need a lens with a standard focal length.

• 24-70mm
• 35mm

c. Landscape Lens

Use a lens with a wide focal length to produce captivating landscape photos.

• 16-35mm
• 17-40mm

2. Various Types of Lenses

The lens is like the eye for the viewer. Whether you are a filmmaker, videographer or photographer, choosing the right lens according to its function is a crucial thing that cannot be underestimated.

a. Wide Angle Lens

A wide lens with a focal length below 35mm. Good for photographing room interiors, landscapes and architecture.

b. Standard Lens

Lenses with focal lengths between 35mm and 85mm. The size of the gasket is close to the human eye. Usually used for model and profile photos (medium shot).

c. Telephoto Lens

A lens with a focal length above 85mm. Usually used to capture wildlife, events, and sporting events.

3. Get to Know Various Kinds of Camera Accessories

a. Viewfinders

A useful tool for viewing shots in real time.

b. Camera Body

Where the sensor is placed and the image is recorded and stored.

c. Matte Box

Square the front of the lens to avoid unwanted flares.

d. Tray Filters

Tray for installing filters such as Neutra Density (ND), and so on.

e. Follow Focus

A tool that makes it easy for ascam to turn the focus wheel.

f. Lens

One of the most crucial creative choices in cinematography.

g. Battery

Power storage for operating the camera.

h. Hand Grip

Used with a shoulder rig, making it easy to carry the camera on your shoulder.

i. Shoulder Rig

Shoulder aids to maintain balance in the handheld position.

j. Rail/Rod dan Base Plate

Connecting the camera body to a tripod, usually equipped with a quick release.

4. Types of Angle Shooting Angles

Different camera angles will produce different emotions and psychological effects on the audience.

a. Bird's Eye View

Taken from above the subject. Usually used to describe the position of the subject in the setting.

b. High Angle

Camera from above the subject. Gives a small, weak effect on the subject.

c. Eye Level

Camera level with subject. Makes the audience feel that they are in the same space as the subject.

d. Low Angle

Camera from below the subject. Gives a big, dashing effect to the subject.

e. Frog's Eye View

Gives a gigantic effect. Usually also used to take movement (jumping, etc.).

5. Types of Shots. Variety of Image Sizes

a. Extreme Long Shot (ELS)

b. Long Shot (LS)

c. Medium Shot (MS)

d. Medium Close Up (MCU)

e. Close Up (CU)

f. Extreme Close Up (ECU)

6. Overview of Day For Night

Day for night is a technique to simulate night when filming during the day.

Consideration:

• The camera has a lower sensitivity than the human eye.
• Working hours do not allow shooting at night.

Example:

• The desert scene in Mad Max: Fury Road was shot during the day.

Method:

• Filmed in daylight with underexposed camera settings.
• Using special filters.
• In post-production, the image temperature is adjusted to make it cooler to resemble night time.

Things that are basic in nature, but greatly affect the results. May be useful.